Kraftwerk is a German band of four musicians though two are
the main composers and producers. Ralf Hutter and Florian Schneider were the
driving force behind Kraftwerk and produced all the material. Kraftwerk’s music
was experimental and electronic in nature while their image was that of a Pre-World
War II socialist group drawing their looks and album covers from the art style
of that period from the lettering of the album covers to the short hair and
suits that they wore.
From 1974
through 1981, Kraftwerk recorded and released an album per year and their
albums were built around a concept such as driving on the autobahn or being
robots (2012, Kraftwerk and the Electronic Revolution). The entire album flowed
with songs driving the theme in a story order. They used many electronic
innovations like drum machines and synthesizers sparking other bands to follow
their lead, such as DEVO or The Cars. Most of their lyrical themes were
minimalistic and somewhat monotone, and performed in multiple languages such as
English and German in the same song.
As a listener, Kraftwerk intrigues me with the
concepts that they covered. I had never heard “Autobahn” before this class and
found it to be quite good. I could easily hear the influence that they had on
other bands like DEVO and The Cars, though their music may not have been as
commercial, it certainly was instrumental in later band’s sounds. As an
industry professional I completely enjoyed listening to their work. I am not
usually excited by most electronic music, however I found this to be enjoyable
and easy to listen to. The concepts behind the albums led to some very
interesting ideas musically and led to developments in electronic usage with
drum machines and synthesizers. Kling Klang studios were certainly large and
allowed them the space to expand on their ideas and inventions. As it stated in
the documentary, the rest of the electronic subculture and bands eventually
caught up with Kraftwerk though they were ahead of the curve for a good run (2012,
Kraftwerk).
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